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Visual culture • Culura Visual • Culture Visuelle

All Affiche Couvertures Identité Identité d'événement Numérique Print Vidéo

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Pourquoi le COVID-19 a-t-il eu besoin d’un graphiste ?

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Selfies no more. Le défi du portrait dans la peinture de Manuel Sosa.

<img decoding="async" width="816" height="531" src="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816,h_531/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-zamora-th.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-zamora-th.jpg 816w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_480/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-zamora-th-480x312.jpg 480w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_378/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-zamora-th-378x246.jpg 378w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_757/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-zamora-th-757x493.jpg 757w" sizes="(max-width: 816px) 100vw, 816px" />

Body and Image in Hector Zamora’s Installation. Paracaidista Av. Revolucion 1608 bis

<img decoding="async" width="816" height="531" src="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816,h_531/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-sonora-th.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-sonora-th.jpg 816w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_480/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-sonora-th-480x312.jpg 480w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_378/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-sonora-th-378x246.jpg 378w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_757/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-sonora-th-757x493.jpg 757w" sizes="(max-width: 816px) 100vw, 816px" />

The urban surface of an expanded gallery

<img decoding="async" width="816" height="531" src="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816,h_531/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-cueto-th-2.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_816/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-cueto-th-2.jpg 816w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_480/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-cueto-th-2-480x312.jpg 480w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_378/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-cueto-th-2-378x246.jpg 378w, https://sp-ao.shortpixel.ai/client/to_auto,q_glossy,ret_img,w_757/https://eduardomaldonado.me/wp-content/uploads/2018/07/writings-cueto-th-2-757x493.jpg 757w" sizes="(max-width: 816px) 100vw, 816px" />

From harlequin to terrorist. The illusion of success in the work of mexican artist Oscar Cueto.

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